She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful. "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.!

"I think he really believes that if I try hard enough I can make you:" after uttering which words our young lady stopped short and emulated the embrace she had received a few moments before. The girl would have been struck with the levity of this had she not already, in an hour, felt the extent of the change suddenly wrought in her commerce with her friend—wrought above all, to that friend's view, in her relation to the great issue. The effect of what had followed Owen's visit was to make that relation the very key of the crisis. Pressed upon her, goodness knew, the crisis had been, but it now seemed to put forth big, encircling arms—arms that squeezed till they hurt and she must cry out. It was as if everything at Ricks had been poured into a common receptacle, a public ferment of emotion and zeal, out of which it was ladled up to be tasted and talked about; everything at least but the one little treasure of knowledge that she kept back. She ought to have liked this, she reflected, because it meant sympathy, meant a closer union with the source of so much in her life that had been beautiful and renovating; but there were fine instincts in her that stood off. She had had—and it was not merely at this time—to recognize that there were things for which Mrs. Gereth's flair was not so happy as for bargains and "marks." It wouldn't be happy now as to the best action on the knowledge she had just gained; yet as from this moment they were still more intimately together, so a person deeply in her debt would simply have to stand and meet what was to come. There were ways in which she could sharply incommode such a person, and not only with the best conscience in the world, but with a sort of brutality of good intentions. One of the straightest of these strokes, Fleda saw, would be the dance of delight over the mystery Mrs. Gereth had laid bare—the loud, lawful, tactless joy of the explorer leaping upon the strand. Like any other lucky discoverer, she would take possession of the fortunate island. She was nothing if not practical: almost the only thing she took account of in her young friend's soft secret was the excellent use she could make of it—a use so much to her taste that she refused to feel a hindrance in the quality of the material. Fleda put into Mrs. Gereth's answer to her question a good deal more meaning than it would have occurred to her a few hours before that she was prepared to put, but she had on the spot a foreboding that even so broad a hint would live to be bettered.

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "You've seen Mr. Owen"—Mrs. Gereth concurred. She put down her cup and sank into a chair, in which she leaned back, resting her head and gazing at her young friend. "Yes, I did tell you a while ago that for you I'd do it. But you haven't told me yet what you'll do in return." "I don't think she'll do that."